Saturday, February 28, 2015

Names Behind the Music: Songwriter Producer Max Martin

Never heard of Max Martin? Even if you don’t recognize the name, you undoubtedly know his music if you’ve ever listened to Britney Spears, Katy Perry, Pink, Bon Jovi or Usher. Those are only a few of the artists who have recorded Martin’s songs. In fact, befitting his status as one of the big names behind contemporary music, he has his own fan website.  

Although the Swedish songwriter came into the world in 1971 as Martin Sandberg, he changed his name to Martin White when he became a performer in high school. At the age of 21, he joined Cheiron Studios as a writer producer, collaborating with his mentor and head of Cheiron Denniz Pop. It was Pop who changed his name yet again to Max Martin.

In the mid 90’s, Jive Records contacted the duo about a new boy band called the Backstreet Boys. That led to Martin’s first American hit, Quit Playing Games (With My Heart).

In 1998, Pop died of cancer and Martin took over Cheiron with a new writing/producing partner Rami. When Britney Spears debuted in 1999, a song Martin wrote, Baby One More Time, became his first number one in the U.S. That same year, Martin scored once more with the Backstreet Boys. His major songs on the Millennium album included I Want It That Way and Show Me the Meaning of Being Lonely.

Martin won ASCAP’s Songwriter of the Year in 1999, 2000 and most recently in 2011 with co-writer Lukasz “Dr. Luke” Gottwald. You can check out a photo on Zimbio of the pair accepting the latest ASCAP award, posing with Ke$ha and Adam Lambert. Yes, Martin co-wrote Lambert’s Whaya Want From Me with Pink and Shellback (the stage name of Karl Johan Schuster).

In 2001, he and a partner opened a music production company in Stockholm called Maratone. Over the years, he has kept on accumulating hits, also writing for Celine Dionne (That’s The Way It Is), Kelly Clarkson (Since U Been Gone co-written with Gottwald), Bon Jovi (It’s My Life), Usher (DJs Got Us Falling In Love) and Pink (Raise Your Glass), the latter two also co-written by Shellback.

The Max Martin fansite lists twelve number ones on the Billboard Hot 100 including five for Katy Perry: I Kissed A  Girl in 2008, California  Girls in 2010, Teenage Dream also in 2010, E.T. in 2011 and Last Friday Night, another in  2011. That’s not even counting his long list of credits on IMBD for film and television tracks.

Although he only turned 40 in 2011, Martin is already a household name in the music industry. Luckily for pop music lovers, it seems this amazing hit machine is still going strong.

Sources:




http://www.imdb.com/name/nm1159684/


Like Your Music Loud for Long Hours? How That Affects Hearing.

Zero decibels (dB) is where sound begins, like hearing a mosquito 10 feet away. A pin drop comes in around 15 dB, conversations rate around 60dB, an airplane taking off around 120 dB, a nearby subway car or gas mower around 100 dB and music on digital devices from 88 to 115 dB. 120 is the danger zone. A jet’s sonic boom for instance produces around 212 dB. 89 dB is the number considered safe for listening to music.
Studies of Music Player Users
According to one European study, hearing loss comes from a combination of loud and long. If you like to listen to music at a high volume and do so for an hour a day each week, that will affect hearing loss within five years. These numbers put millions of Europeans who use music players at risk. Another study of New Yorkers who used digital music players found a listening average of 18 hours per week and some up to 70 hours weekly.
Hearing Loss for Musicians
A study of lifelong musicians showed that they fared better than average as they aged. They still faced a problem detecting quieter and quieter sounds but they were able to hear words against background noise and recognize different sound frequencies, likely due to regular use of their auditory system.
Development in Limiting Volume
A company named dB Logic has developed a system to limit volume on headphones. The system adjusts loudness when it continually measures over 85 dB. At that level, the U.S. Occupational Safety and Health Administration mandates hearing protection for workers, say in a factory.
Technically, a tiny transformer increases the voltage that operates the transistors that control volume. In other words, soft passages play back at full volume and louder ones exceeding 85 dB are undetectably decreased in volume.
Extra Problem with Earbuds
Earbuds do expose listeners to more sound. Apple’s iPod manual includes a warning to users about the danger of hearing loss. The Royal National Institute for Deaf People in the UK also warned that more than two-thirds of young people who use earbuds and personal music players may suffer early hearing damage. Another 2005 and 2006 study of U.S. adolescents aged 12 to 19 showed that one in five had hearing loss, more males than females. Another possible effect of playing music loud for long hours is tinnitus. Doctors specializing in this field say that when hearing loss happens to teens (by the time they reach their mid twenties), the effects are irreversible.
Sources:



New York Times